San Francisco International Film Festival 24 April - 08 May 2008

  • Skip to Main Content
  • Home
  • Info
  • Films
  • Big Nights
  • Events
  • Awards
  • News
  • About Us
  • Sponsors
 

FILMS/

MOCK UP ON MU

Spotlight: Cinema by the Bay
USA, 2008, 114 minutes

SHOWTIMES

Mon, Apr 28 / 9:15 / Kabuki / MOCK28K
Wed, Apr 30 / 8:55 / PFA / MOCK30P

CREDITS

dir
Craig Baldwin
prod
Craig Baldwin
scr
Craig Baldwin
cam
Bill Daniel
editor
Sylvia Schedelbauer
mus
Trip Tech
cast
Damon Packard, Michelle Silva, Stoney Burke, Kal Spelletich
source
Other Cinema, 992 Valencia St, San Francisco, CA 94110. EMAIL: othercine@hotmail.com
web
http://www.othercinema.com
Mock Up on Mu

Notorious Bay Area kino-renegade Craig Baldwin tops his earlier found-footage operas Spectres of the Spectrum and Sonic Outlaws with this much-anticipated work, a rapid-fire pulp serial–cum–political tract piss take on California’s major military, entertainment and religious industries. Hitting upon everything from Satanism to Scientology, the Beats to the jets (propulsion, that is), Baldwin revs up his characteristic stock footage reappropriations with some live-action scenes, adding an over-the-top pulp flair to the proceedings. The film focuses on three seemingly disparate characters to fuel this secret history of California: Jack Parsons, inventor of solid rocket fuel, founder of the Jet Propulsion Laboratory and Aleister Crowley acolyte; Marjorie Cameron, artist, beatnik and occultist; and L. Ron Hubbard, the science fiction writer turned Scientology founder. Rather than straightforward profiles, Baldwin mashes up their histories with archival footage drawn from his vast collection of educational and governmental films, subverting their original narratives (and intent) to his own purposes. His live-action scenes and audio montages blend with these “seized histories,” creating a bizarre form of cinema, a collage narrative where the documentary images of yesteryear lend not truth but poetry, paranoia and fantasy. Arising with demonic force from the 20th century’s accumulated detritus, the film surveys “the repurposing of the popular imagination in postwar California,” according to Baldwin, tracing the “simultaneous rise and convergence of New Age religious cults, the military/aerospace industrial complex and modern-day myths from Disney to certain sci-fi overlords.”

World Premiere.

 

BUY TICKETS

CALENDAR

SU MO TU WE TH FR SA
20 21 22 23 24 25 26
27 28 29 30 1 2 3
4 5 6 7 8 9 10

SIGN UP FOR eNEWS

PODCASTS & VIDEO

BOX OFFICE

CLOSING NIGHT

  • Travel
  • Venues
  • Updates



Vanity Fair Reel Relief
  • Support the SF Film Society
  • Become an SFFS Member
  • Copyright © 2007 San Francisco Film Society