San Francisco International Film Festival 24 April - 08 May 2008

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FILMS/

YOU, THE LIVING

Du Levande

World Cinema

Sweden/Germany/France/Denmark/Norway, 2007, 90 minutes

SHOWTIMES

Fri, Apr 25 / 6:15 / Castro / YOU25C
Sun, Apr 27 / 8:30 / PFA / YOU27P
Tue, Apr 29 / 7:00 / Kabuki / YOU29K

CREDITS

dir
Roy Andersson
prod
Pernilla Sandström
scr
Roy Andersson
cam
Gustav Danielsson
editor
Amma Märta Waern
mus
Benny Andersson
cast
Jessica Lundberg, Elisabet Helander, Björn Englund, Leif Larsson, Ollie Olson
source
Swedish Film Institute, Box 27126/ Borgvaegen 1-5 SE-102 52 , Stockholm, Sweden. FAX: 46 8 666 3698. EMAIL: gunnar.almer@sfi.se
You, the Living

Watch

According to the folks who study such things, Sweden is a perennial contender for the status of most depressed nation. So it’s the perfect setting for a pre-apocalyptic comedy about isolation, alienation and interdependence. Roy Andersson’s deadpan burlesque disdains narrative convention and character development in favor of a series of elegantly composed, absurdly funny tangentially linked tableaux. A man awakens with a start as the soundtrack rumbles, spooked by a nightmare of bombers approaching. A grammar school teacher sobs in front of her students, stricken that her husband called her a hag. A woman on a park bench chases off her boyfriend with an angry cascade of self-pitying laments—then breaks into song. An aged psychiatrist bemoans the pointlessness and exhaustion of treating mean people. And in the upper reaches of an office building, the laconic Louisiana Brass Band rehearses propulsive New Orleans jazz. (Alas, it has to narrow its repertoire when called on later to play a funeral.) One may detect the faintest echoes of Beckett and Pinter, leavened with a pinch of Ionesco and Tati. The casting of nondescript nonprofessionals with profoundly ordinary demeanors and deliveries enhances the effect. Andersson, a genuine iconoclast, almost never moves the camera, pinpointing his characters within a fixed frame to emphasize how stuck they are. On a couple of occasions, someone intones semi-optimistically, “Tomorrow is another day.” Ah, but what if tomorrow doesn’t come? Either way, Andersson suggests, it behooves us, the living, to show kindness, express our love and be joyful—today.

—Michael Fox

In Swedish with English subtitles. Presented with support from Denis P. Bouvier. Sponsored by the Academy of Motion Picture Arts and Sciences.

 

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